Recent additions, changes and updates to Don's Maps


Back to Don's Maps

Back to Venus figures from the Stone Age

The Galgenberg Venus - Fanny

Venus vom Galgenberg, the oldest figurine of a woman apart from the Berekhat Ram figure and the Venus of Hohle Fels ever found, was created around 30 000 B.C. Found on September 23, 1988 during the excavation of a habitation of palaeolithic hunters at Galgenberg near Stratzing (Lower Austria), broken into several pieces. 7.2 cm high figurine of a woman weighing 10 g and made of greenish, very shiny amphibolite slate, the upper body is turned to the side, in a dancing position, three-dimensional front, flat back, believed to have had cultic or religious significance. The stone material is from the immediate vicinity of where the figurine was found, and the waste material provides proof that the figurine was made in the same area. Exhibited in the Weinstadt museum in Krems an der Donau.

Galgenberg near Stratzing was a frequently used camp site between Krems-Rehberg and Stratzing. Excavations started in 1985. Charcoal and tools of stone were found at various fire places. Special constructions probably served as shelters. It is one of the world's oldest sculptures of a woman.

Above text from:

Galgenberg Venus Galgenberg Venus Galgenberg Venus Galgenberg Venus

Galgenberg Venus Galgenberg Venus Galgenberg Venus Galgenberg Venus

Galgenberg Venus Galgenberg Venus Galgenberg Venus

Photo: Don Hitchcock 2008

Source: Original, Vienna Natural History Museum


Stratzing/Krems-Rehberg, statuette from Galgenberg.

Photo: A. Schumacher
Source: Neugebauer-Maresch (2008)

galgenberg venus

In August of 1985 at the Stratzinger Galgenberg the earthwork for a new elevated water tank for Krems was completed. Dark areas in the light loess, in which a fire place and flint tools were found, pointed to an old stone age culture. By the end of that October a rescue excavation was completed at the area, and was shown to be a camp for hunters.

On 23 September 1988 a small amphibolite slate fragment with carving traces caused great excitement. It was identified as a 30 000 year old fragment of art. In the morning of the next day 4 fragments were then discovered, which when joined formed a 7.2cm high statuette of a woman. Because of its moving, dancing attitude it was spontaneously christened "Fanny" - after the famous Viennese dancer Fanny Elssler.

It is a green serpentine carving of a nude with one breast jutting out to the left, the other facing frontward, the vulva clearly indicated, the left arm raised, and the right hand resting on the thigh, posed as though in a ritual or dance position. The serpentine comes from a nearby deposit.

Above text from:
Photo from:

It is highly probable that the statuette was manufactured at Galgenberg. The occurrence of amphibolite schist at a distance of several hundred metres from the site, as well as many small fragments of this raw material in the area of the fragments of statuette, which may be waste from the original carving, support this assumption. The statuette itself is an upright standing figurine without feet, one leg touching the other at the feet. The legs are separated by a pointed oval perforation.

The left leg is straight while the right one is flexed. The transition from the hips to the upper part of the body is rounded, which can be seen especially from the back. The right arm is also separated from the body by a pointed oval perforation and touches the thigh.

A rod like object along the leg appears in outline.

Two projections on the left hand side can be interpreted as a raised arm and the left breast in profile. The head is slightly inclined to the right. Four notches visible at an oblique view on the same side as the raised arm may indicate the main view of the head – the face is not modelled further. The clearly pronounced right shoulder makes the lack of the left shoulder especially obvious. The anatomic explanation is clear: When the arm is raised the shoulder disappears creating a 'v' with the line of the body from the neck and the head. This posture is strengthened by the head turned in this direction with a view slightly turned upwards.

Pollen analysis at the site provided evidence for the occurrence of coniferous trees like pine and larch, as well as different species of grass and herbs which are typical for a loess steppe. The palaeosoil of the lowest layer also contained pollen of ferns and spores of moss as well as evidence of deciduous trees such as birch and alder.

The inhabitants of Galgenberg used larch and pine for fires. They mostly fired fresh boughs and seldom was old, dry wood collected. Wood from larch and pine must have been rather abundant.

Text above: Neugebauer-Maresch (2008)

Galgenberg aerial photo

Stratzing-Galgenberg, from the Northeast.

Photo: E. Wallner
Source: Neugebauer-Maresch (2008)

Galgenberg soil profile

Stratzing/Krems-Rehberg, profile M 42 (2000). 1-3 are the archaeological layers.

Photo: PK OEAW
Source: Neugebauer-Maresch (2008)

Galgenberg plan of excavation area with hearths

Stratzing/Krems-Rehberg, plan of the excavation area with hearths.

Photo: Don Hitchcock
Source: Museum of Natural History, Vienna
Original Graphic: Ch. Neugebauer-Maresch

excavation 1999

excavation 1999 detail


E. Weinfurter made the first discoveries in 1941 when he was looking for fossils. He also mentioned the loess snail remains and found charcoal, bone remains and stone artifacts which he classified correctly as Aurignacien (younger Old Stone Age).

During road works and works for a local water storage facility in the summer of 1985 J. W. Neugebauer (Abteilung fur Bodendenkmale des Bundesdenkmalamtes) was informed by a worker about some discoveries. In autumn of the same year a first rescue excavation took place. Since 1986 several excavations followed, co-ordinated by Chr. Neugebauer-Maresch.

Above text from:

Bones of horses and mammoths as well as antlers were found.

Charcoal samples made an exact determination of the age of the finds using radiocarbon dating possible. This method resulted in an age of approximately 32,000 years for the Statuette. Excavations have been made annually since 1985.

There have been found to be 3 cultural layers. In 1998 the status of the excavation was:

Layer I: 4 fire places

Layer II: 11 fire places. Dating: between approx. 33,000 and 28,000 BP.

The most important find was 'Fanny' with an age approximately 31,600 BP. Note the poster of the Galgenberg venus on a stake in front of the excavation area

Galgenberg plan
Plan of the excavations at Galgenberg.


Feuerstelle Schicht I, einfach - simple hearth, layer I.

Feuerstelle Schicht I, einfach - simple hearth, layer II.

Feuerstelle Schicht II, mit Steinreflektoren - Fireplace with stone reflectors, layer II.

Rechteckige Feuerstelle Schicht II - Rectangular hearth, layer II.

Starke Holzkohleanrelcherung Schicht II - Thick charcoal accumulation, layer II.

Vereinfachte Darstellung der Auf - und Aneinanderpassungen von Silices zwischen den einzelnen Feuerstellen der schicht II - simplified illustration of the relationships between the flints of the hearths of layer II.


Galgenberg puzzle

The Big Puzzle

How many times has a tool been repaired before it was thrown away? Where were skins processed, stone tools manufactured or bone carved?

If one tries to assemble all the pieces of stone and stone tools again, one can reconstruct how the raw material was handled.

It is even possible detect later sharpening of the working edges.

In modern excavations, the position of each stone flake is measured. Thus the workflow can be seen. Only then can you determine which areas of the camp site were used simultaneously.

This example of the Stratzing/Galgenberg site shows the first results of these huge puzzles.

Photo: Don Hitchcock 2008
Source: Museum of Natural History, Vienna.

Galgenberg puzzle plan of site
Site Plan for the area where Fanny was found.


Feuerstelle Schicht II, mit Steinreflektoren - Fireplace with stone reflectors.

mittelalterliches Gräbchen - medieval ditch

'Fanny' - position in which the Fanny statuette was found.

Standspuren einer Überdachung - traces of an enclosure (I presume this refers to what may be post holes shown in brown on the plan - Don )

Ausgrabungen Bundesdenkmalamt 1988 - 1990 - Federal Office listed excavations 1988 - 1990.

Planaufnahme und Bearbeitung Chr. Neugebauer-Maresch - Plan recording and editing by Dr. Christine Neugebauer-Maresch, Prehistoric Commission, Austrian Academy of Sciences.

(Dr. Christine Neugebauer-Maresch has published a number of papers on this important site. There were no explanatory notes with this diagram in the museum, and I have been unable to find the original in a journal or book, but it seems to be using arrows to connect the spots where particular pieces of flint were processed - Don )

Photo: Don Hitchcock 2008
Source: Museum of Natural History, Vienna.
Original Graphic: Ch. Neugebauer-Maresch

Galgenberg hearth with stones Galgenberg hearth with stones

Stratzing/Krems-Rehberg, hearth B (1989) with stone encirclement and red burnt sediment.

(Note that the photograph appears to be of the same hearth shown in the figure above of the site plan for the area where Fanny was found. I have added the figure to the right of the photo, cropped and rotated to highlight the congruence - Don )

Photo: Ch. Neugebauer-Maresch, BDA
Source: Neugebauer-Maresch (2008)

Galgenberg hearth with stones

Stratzing/Krems-Rehberg, hearth C (1992/93) with stone encirclement and cooking pit

(Note the neat, smooth surfaces of the excavation, achievable because of the deposition of loess, a fine grained wind blown rock flour ground from the basement rock by the advance of ice and glaciers from the edges of the Northern Ice Sheet during the last ice ages.

This was then blown south and blanketed large areas of northern Europe. Conditions were sometimes very uncomfortable for the residents when this choking dust, cutting visibility to a few metres, was borne south by polar winds - Don )

Photo: Ch. Neugebauer-Maresch, BDA
Source: Neugebauer-Maresch (2008)

Galgenberg dig

Another view of the dig.


This image of the famous Viennese dancer Fanny Elssler shows graphically why she was thought of when the excavators found the Galgenberg venus. Even the pose is the same.

Photo from:

fanny dancing

Fanny on a stamp

Fanny Elssler on an Austrian stamp.


Ice Age Trail - Fanny

An 'Ice Age Trail' has been set up at the Galgenberg site by the community at Stratzing, as an educational tour for tourists.

Text and photos:

During the last ice age - approximately 32 000 years ago, hunting and collecting groups of humans were tramping trough the steppe landscape of this region. The people, their names and their language will always remain hidden from us. Through modern excavations, with which the finds are precisely located and with the application of natural sciences, one can reconstruct a picture of their life at that time.

Galgenberg recreation

Galgenberg recreation, showing how the temporary dwellings may have been constructed.


During excavation work for a big water tank in Stratzing in 1988 a stone Venus figure, 72 mm tall, was found by archaeologists. This figure was created before 32 000 years and is thus one of the oldest stone artworks in the world. Around this place of discovery Stratzing built the Stone Age Park. Diagrams along the Ice Age Demonstration Way shift the visitor into the time of the Stone Age hunters and collectors.

Fanny with its 32 000 age is one of the earliest representation of humans in stone - a woman - in the world. The raw material was a thin plate of amphibolite slate, from which the shape was carved. Objects of this kind are the rarely found proof of ritual-religious expressions of former inhabitants. The statue is the most important find of these excavations and received its name from the excavators because of its special pose, after the famous Austrian dancer Fanny Elssler.

Galgenberg recreation

A tour group at the site of the recreation of the Galgenberg camp site.


To see the original is necessary to visit the Nature-historical museum in Vienna, a copy can be seen in the Main office at Stratzing.

The figure lay broken near the edge of an original primitive dwelling. This belonged to a camp, which ice-age hunters at Galgenberg had used for some weeks. they focused most of their activities near their fire places The fireplaces gave warmth and light and were the centre of communal life.

The hunted animals not only served as nutrition: Apart from the meat, entrails and fat one used also the sinews, bones and skin for necessary daily tools. The most important tools were however manufactured from stone, which exhibited certain characteristics. These raw materials were gathered partially in the nearby environment, but in addition, brought some kilometres to the site. By means of careful knapping techniques the flint cores were processed for blades, burins and scrapers. The remnants of toolmaking form the main part of the findings at Galgenberg.

The image of the Galgenberg Venus has been used as the logo for a wine.

The name Charivee comes from Chardonnay + Rivaner + Fruhroter Veltliner.

galgenberg venus wine label

Photo from:

galgenberg venus wine bottle

Photo from:

winecask waiting
winecask baptism
On the 12th November 2000 a ceremony was held in the parish church in Stratzing to 'baptise' the wine universally known as 'Fanny'. It is a wine made by a number of local wine makers. The wine was in a superb specially made and carved cask, and it was baptised with much laughter and good times - and then the wine was drunk, and good food was eaten. Wish I'd been there, it looks like it was a lot of fun.

Photos from:


  1. Neugebauer-Maresch C., 2008: Galgenberg-Stratzing/Krems-Rehbergand its 32 000 years old female statuette Wiss. Mitt. Niederösterr. Landesmuseum 19 119-128 St. Pölten 2008

Back to Don's Maps

Back to Venus figures from the Stone Age