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The raw material for most of the Lake Mungo toolkit is silcrete.
Silcretes are very hard layers of silica-enriched materials formed beneath the surface in soils, unconsolidated sediments, and permeable rocks. These materials range from silica-cemented sand and gravel to an amorphous matrix enriched with small silica particles. There is little agreement as to their classification and origin. A minimum silica (SiO 2) content of 85 percent by weight has been proposed by Summerfield (1983) to distinguish silcretes from other duricrusts.
Although not restricted to arid regions, silcrete zones are found in many deserts, and they are most extensive and prominent topographic features in Australian deserts. Silcrete tends to form roughly horizontal, highly resistant layers generally less than 5 m thick. When exposed by erosion, silcrete forms highly resistant cap rocks of scarps ("breakaways" in Australia). These cap rocks resemble quartzite.
Many talus slopes and gravel plains in areas of exposed silcrete consist of silcrete fragments eroded from the cap rock. Buried silcrete layers thicker than 3 m are rare, and they are generally not laterally continuous over large areas.
Reference: Summerfield, M.A. 1983. Silcrete. In Chemical sediments and geomorphology, edited by A.S. Goudie and K. Pye. San Diego: Academic Press, pp. 59-92.
Display: Lake Mungo NPWS interpretation centre
Text: The US Army Corps of Engineers Topographic Engineering Centre, at
http://www.tec.army.mil/research/products/desert_guide/lsmsheet/lssilc.htm
Photo: Don Hitchcock

These are long blades crafted from silcrete
Although silcrete is not an ideal material for blades, having too much granularity, the tools made by the Lake Mungo people are beautifully and elegantly made, with a minimum of blows in an apparently effortless style.
Display: Lake Mungo NPWS interpretation centre
Photo: Don Hitchcock
Burin of silcrete from Lake Mungo, about 7 cm across.
All silcrete on the "Walls of China" was carried there by aborigines from the western side of the lake. There is no silcrete available on the eastern side of Lake Mungo.
This tool would originally have had a sharp and narrow point for making holes in leather, which has broken off, and the tool was then thrown away.
The tools are elegantly made, with the minimum of flakes being removed, and no evidence of retouching. They have been made by master craftsmen with total control of the material.
Photo: Don Hitchcock
Stone core and a whelk shell from the lake.
I can imagine the craftsman making tools from the core, and sucking the meat from the shell as he worked.
Photo: Don Hitchcock
Probably a scraper, used in the initial preparation of hides by scraping off the fat on the inside of the skin. This is a beautiful piece of work, done with complete mastery of the admittedly poor material.
Photo: Don Hitchcock
Probably a knife or a wide scraper, about 7 cm across.
Photo: Don Hitchcock
A core and what looks like burnt clay or termite mound from an ancient hearth.
Photo: Don Hitchcock

Burin with the point broken off. Note the oxidation bands still showing from the original pebble from which the tool was made, and the burnt clay from the hearth near which it was laid down.
Photo: Don Hitchcock

The burin above in situ, with apparently burnt objects (charcoal?) and burnt clay.
Photo: Don Hitchcock

Hearth in situ near the edge of the lake.
Photo: Don Hitchcock

Midden of shells collected from the time when Lake Mungo was full of water. They look like they could have been opened and eaten just a few years ago.
Photo: Don Hitchcock

Silcrete tool core in situ poking out from a vertical cut in the sediments. The scarcity of such objects compared with the relative abundance of tools and cores lying on the surface illustrates the effectiveness of the winnowing process of rain and wind in exposing the artefacts.
Photo: Don Hitchcock

Silcrete core.
Photo: Don Hitchcock

Silcrete blade.
Photo: Don Hitchcock


Tools winnowed to the surface by wind and water.
Photo: Don Hitchcock

Burin and one of the ubiquitous caterpillars!
Photo: Don Hitchcock

Shell from a midden looking as though it is only a year or two old - but it is tens of thousands of years since the lake had enough water to provide habitat for shells of this kind.
Photo: Don Hitchcock

Tool, possibly a scraper.
Photo: Don Hitchcock

The burnt clay remains of a hearth.
Photo: Don Hitchcock

A tool left behind in a hearth.
Photo: Don Hitchcock

A tool left behind in a hearth.
Photo: Don Hitchcock

Aborigines were quick to make use of better materials as they became available. After white contact, when glass bottles became available, but before steel knives were common, they made beautiful objects such as these knives from the superior material. Glass bottle bases provide a defect-free material which gives the skilled user complete control.
Display: Lake Mungo NPWS interpretation centre
Photo: Don Hitchcock

A well made quartzite blade.
Photo: Don Hitchcock
Tools exposed on a crusted surface.
Photo: Don Hitchcock

Multicoloured core.
Photo: Don Hitchcock

Tetragon shaped tool, or part of one.
Photo: Don Hitchcock
Silcrete pebble such as would have been used to make the tools.
Photo: Don Hitchcock
Large silcrete pebble.
Photo: Don Hitchcock
Large silcrete pebble.
Photo: Don Hitchcock
Field of silcrete pebbles.
Photo: Don Hitchcock

This photo shows a coolamon, or container, with a grinding stone. The coolamon contains seeds in this display.
The muller referred to on the label is the upper, hand-held grindstone, out of frame in this photo.
In the semi-arid to arid regions of Australia, seed-foods were a major food staple. Aboriginal women made flour from a range of different plant seeds, including those of native grasses, some trees, shrubs, succulents and even ferns. The flour made from these seeds was an extremely nutritious high-energy food that was of vital importance in regions where other more easily processed plant foods were not readily available.
Aboriginal women developed an intricate method of processing the seeds they gathered. Collected material was placed in a coolamon (elongated wooden dish) and skilfully rocked and flicked to separate material of different densities (such as leaves, twigs and sand) so the seeds were easily extracted. Seeds were then winnowed by being rubbed together in handfuls and dropped a short height over the coolamon to allow the fine outer husks to blow away. The seeds were then ground into a meal or flour using a millstone (lower grindstone) and muller (hand-held upper stone) set.
Text: From the Australian Museum website,
http://www.amonline.net.au/snapshots/arid/bakers.htm
Display: Lake Mungo NPWS interpretation centre
Photo: Don Hitchcock